THRESHOLDS: Group show at The Hari Hong Kong: In collaboration with White Cube Hong Kong

As part of White Cube Gallery's takeover of The Hari Hotel Hong Kong, we're proud to announce this group show that brings together artists diverse host of artists of immense talent. Their works range from the vividly eye-catching to the texturallt delicate, but each one radiates a rich emotion and tradition from different corners of the world.

Arahmaiani (b. 1961, Bandung, Indonesia) lives and works in Yogyakarta, Indonesia. She works across painting, performance, video and installation as a means to explore social and cultural phenomena, including political systems, violence against women, and environmental justice. Since 1980, her works have been performed and exhibited widely with numerous solo exhibitions, including Tate Modern, London (2024); Museum MACAN, Jakarta (2018); Tyler Rollins Fine Art, New York (2016); Haus am Dom, Frankfurt, Germany (2015); and Esplanade, Singapore (2009). Selected recent group presentations and biennials include University of the Sunshine Coast Art Gallery, Queensland, Australia (2025); Busan Biennale, Busan, Korea (2023); National Gallery, Jakarta (2022); Documenta 15, Kassel, Germany (2022); Istanbul Biennial, Istanbul, Turkey (2022); Asia Society Museum, New York (2016); 50th Venice Biennale (2003); Biennale of Moving Images, Geneva (2003); Gwangju Biennale (2002); 25th Bienal de São Paulo, Brazil (2002) among others. Her works are held in the collections of Asia Society, New York; Singapore Art Museum, Singapore; National Gallery Singapore, Singapore; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York; and Museum MACAN, Jakarta.

Citra Sasmita (b. 1990, Bali, Indonesia) lives and works in Bali, Indonesia. Sasmita studied Literature at Udayana University, Bali, Indonesia, and Physics at Ganesha University of Education, Buleleng, Indonesia. She worked as a short story illustrator for the Bali Post, before developing her expanded artistic practice. Selected solo exhibitions include Barbican, London, (2025); Yeo Workshop, Singapore (2023, 2020); and Redbase Foundation, Yogyakarta, Indonesia, (2018). Recent group exhibitions and biennials include Almine Rech, Shanghai, China (2025); Silverlens, Manila, Phillippines (2025); Ames Yavuz, Sydney (2025); Haus der Kulteren der Welt, Berlin (2025); Kunsthalle Bega, Timișoara, Romania (2024–25); Sharjah Biennial 16, Sharjah, UAE (2025); Hawaii Triennial 2025, Hawaii (2025); 21st Century Museum of Contemporary Art, Kanazawa, Japan (2025); Toronto Biennial of Arts, Toronto, Canada (2024); Diriyah Contemporary Art Biennale, Diriyah, Saudi Arabia (2024); Baró Galeria, Spain (2024).

Galuh Anindita (b. 1991, Balikpapan, Indonesia) lives and works in Yogyakarta, Indonesia. Anindita is a multidisciplinary artist, jewellery designer. She studied Visual Communication Design at Institut Seni Indonesia, where she developed a foundation in drawing and portraiture before expanding her practice into three-dimensional forms. In 2015, she founded MAHIJA, a contemporary jewellery label through which she explores adornment as both an artistic and cultural language. Her collections merge craftsmanship with symbolic form, drawing from ancestral heritage, spirituality, and material memory. Her work reflects her ongoing interest in themes of mortality, remembrance, and resilience. Across her practice, Anindita reimagines the body as a living archive and a site of transformation – where philosophy, ritual, and feminine identity converge with contemporary design.

Ines Katamso (b. 1990, Yogyakarta, Indonesia) is an Indonesian-French artist based in Bali. Her work interlaces scientific and spiritual perspectives, exploring concepts of life. Her practice has evolved from observation of microorganisms and palaeontology to a more recent focus on botany. Her practice reflects on ecological fragility and resilience, situating local materials, craft traditions, and ancient myths within global conversations on the Anthropocene. She has held solo exhibitions at A Single Piece Gallery, Sydney (2025); Semarang Gallery, Semarang (2023); ISA Art Gallery, Jakarta (2021); and Ruci Art Space, Jakarta (2021). Her work has also been presented in group exhibitions and biennials, including ISA Art, Jakarta (2025); Lyon Biennale, France (2024); Art Jog, Yogyakarta (2024); Tang Contemporary, Bangkok (2024); and Bentara Budaya, Jakarta (2023).

Jennifer Tee (b. 1973, Arnhem, Netherlands) lives and works in Amsterdam. Working across sculpture, installation, performance, and collage, Tee explores experiences of cultural hybridity, identity and language. She was a resident artist at the Rijksakademie in Amsterdam, and ISCP, New York. In 2020, Tee was awarded the Amsterdam Prize for the Arts. Recent solo exhibitions include Tina Kim Gallery, New York (2024); Kunstinstituut Melly, Rotterdam, Netherlands (2023); Secession, Vienna (2022); Stedelijk Museum, Amsterdam (2020); ISCP, New York (2018); Bonner Kunstverein, Bonn, Germany (2017); Camden Arts Centre, London (2017); Kunstraum, London (2017); and Rijksmuseum, Amsterdam (2017). Selected group exhibitions and biennials include 24th Bienal de Arte Paiz, Guatemala (2025) 13th Liverpool Biennial, Liverpool, UK (2025); Folkestone Triennial, Kent, UK (2025); Lahore Biennale 03, Lahore, Pakistan (2024); Gropius Bau, Berlin (2023), Busan Biennale (2022), among others. Her work is held in several public collections including Herbert F. Johnson Museum of Art at Cornell University, United States, FRAC Provence-Alpes-Côte d’Azur, Marseille, France; Rijksmuseum, Amsterdam, Netherlands; Stedelijk Museum Amsterdam; and Van Abbemuseum, Eindhoven, Netherlands.

Kei Imazu (b. 1980, Yamaguchi, Japan) lives and works in Bandung, Indonesia. She studied at Tama Art University, Tokyo. Imazu’s works address Indonesia’s colonial histories and the multiple stories and folklores shared across the archipelago, which often contain parallel themes to global mythological narratives. She has exhibited widely, with solo shows held at Museum MACAN, Jakarta (2025); Tokyo Opera City Art Gallery, Tokyo (2025); Jessica Silverman Gallery, San Francisco, California (2023); ANOMALY, Tokyo (2021); and Museum Haus Kasuya, Kanagawa, Japan (2019). Notable group exhibitions and biennales include Bukhara Biennial, Bukhara, Uzbekistan (2025), Singapore Biennale, Singapore (2025), Bangkok Art Biennale, Bangkok Art and Culture Centre, Bangkok (2024); Documenta 15, Kassel, Germany (2022) and Aichi Triennale, Nagoya, Japan (2019). Imazu was a finalist of the Prix Jean-François Prat in 2020. Her work is held in public and private collections including Museum Haus Kasuya, Kanagawa, Japan; Takahashi Ryutaro Collection, Taguchi Art Collection; Oketa Collection, Tokyo; San Jose Museum of Art, California; and X Museum, Beijing.

I Gusti Ayu Kadek Murniasih (Murni) (1966–2006) was born in Tabanan, Bali, Indonesia. She later lived in Ubud, Indonesia, where she trained in the Pengosekan style of Balinese painting with I Dewa Putu Mokoh. Over the course of her career Murni explored female identity, sexuality and the body through intensely personal and vividly imagined worlds. Recent solo exhibitions include Nottingham Contemporary, Nottingham, UK (2025); Gajah Gallery Jakarta, Indonesia (2022); Gajah Gallery, Singapore (2021); and Sudakara Art Space, Bali, Indonesia (2016). Her works have been exhibited widely in group exhibitions and biennials including 36th Bienal de São Paulo, Brazil (2025); Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan (2024); Haus der Kulturen der Welt, Berlin (2024); National Museum of Modern and Contemporary Art, Seoul (2024); 24th Biennale of Sydney, Art Gallery of New South Wales, Sydney (2024); and 58th Carnegie International, Carnegie Museum of Art, Pittsburgh, Pennsylvania (2022). Public collections include Centre Pompidou, Paris; Carnegie Museum of Art, Pittsburgh, Pennsylvania; National Gallery of Art, Washington, DC; National Gallery of Australia, Canberra; Weltmuseum Wien, Vienna; Museum and Art Gallery of the Northern Territory, Australia; National Gallery Singapore; Museum MACAN, Jakarta; Tumurun Museum, Surakarta, Indonesia; The University of Chicago, Illinois; and Tate Modern, London.

Nadiah Bamadhaj (b. 1968, Petaling Jaya, Malaysia) lives and works in Yogyakarta, Indonesia. She studied Sculpture and Sociology at Canterbury University, Christchurch, New Zealand. Bamadhaj works across collage, drawing, installation, digital video, and sculpture, focusing on the social intricacies of life within Indonesian society. Selected solo exhibitions include Jendela Foundation, Yogyakarta, Indonesia (2023); Art Jakarta, Jakarta (2022); and Small Shifting Spaces, Kuala Lumpur (2021). She has participated in numerous international group exhibitions and biennials, including Aranya Art Center, Qinhuangdao, China (2025); Sharjah Biennial 16, Sharjah, UAE (2025); 11th Asia Pacific Triennial, Queensland, Australia (2024); Van Abbemuseum, Eindhoven, The Netherlands (2022); Museum MACAN Jakarta (2022); and Bangkok Art Biennale, Bangkok (2022). In addition, the artist has received grants from the Nippon Foundation’s Asian Public Intellectual Fellowship (2002, 2004), the Indonesian Directorate General of Culture (2022) and the Arts Council of New Zealand (2022).